• A. Zalbidea Berenguer
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (2), 33

    Abstract
    Book review: Teodor Llorente, Poesies i proses valencianes. Estudi introductori i edició de Rafael Roca. Modernització lingüística de J. E. Estrela i R. Roca, València, [...]

  • R. Alemany Ferrer
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (2), 28

    Abstract
    Book review: Lola Badia, Lluís Cifuentes, Sadurní Martí & Josep Pujol (eds.), Els manuscrits, el saber i les lletres a la Corona d’Aragó, 1250-1500, Barcelona, Publicacions [...]

  • A. Galarraga Lopetegui
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (2), 23

    Abstract
    Book review: Beatriz Fernández & Anna Pineda, Basc per a catalanoparlants (O de com dues llengües tan diferents s’assemblen tant), Argentona, Voliana Edicions, 2016, 292 [...]

  • C. Rodríguez-Gonzalo, F. Zayas
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (2), 36

    Abstract
    A pedagogical grammar needs to include the relevant grammatical knowledge for linguistic education, and it needs to show how this knowledge allow us to reflect upon the language [...]

  • A. Camps, M. Milian
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (2), 31

    Abstract
    Learning language at school means learning grammar as a conscious and explicit knowledge about language, as a means to reflect on language use aiming at using language more [...]

  • M. Nadeau
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (2), 26

    Abstract
    The quality of the French language in Quebec is a very sensitive topic that is always of interest because of the sociolinguistic situation of French in North America. This [...]

  • H. Nassaji
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (2), 20

    Abstract
    There is ample theoretical and empirical support in the field of second language (L2) acquisition for instructional strategies that direct learners’ attention to grammatical [...]

  • N. Bastons, L. Comajoan-Colomé, O. Guasch, T. Ribas
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (2), 34

    Abstract
    This article contributes to the growing body of articles dealing with teachers’ knowledge and beliefs in their conceptions about teaching and learning as a reference point [...]

  • M. Casas-Deseures, C. Durán, X. Fontich
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (2), 29

    Abstract
    The verb is one of the categories that a school grammar must necessarily face, not only in terms of the knowledge of the concept and the relationship with other categories, [...]

  • M. Casas-Deseures, L. Comajoan-Colomé
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (2), 24

    Abstract
    Introduction to the monograph «Noves perspectives per a l’ensenyament-aprenentatge de la gramàtica: cap a una gramàtica pedagògica», number 63 (Autumn 2017) of Caplletra. [...]

  • J. Tordera Yllescas
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (2), 37

    Abstract
    The present study aims to address a complex topic in the grammar of Catalan, namely the use of the preposition de before some infinitival constructions, like in «Juan li [...]

  • G. Bibiloni
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (2), 32

    Abstract
    The purpose of this article is to make the inventory and analysis of the hispanisms incorporated in the dictionary of Pere Labernia which were later excluded of the standard [...]

  • L. Quintana Trias
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (2), 27

    Abstract
    When Pere Calders applied with Ronda naval sota la boira (1957) for a prize, it was unwelcomed by the jury; nine years later he published it with negative reactions from the [...]

  • J. Redondo
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (2), 21

    Abstract
    The Disputa de l’ase, by Anselm —Antelm? Telm?— Turmeda is ranged among the most singular works of fourth-century prose. This paper deals with the sources of the exempla [...]

  • E. Mallorquí-Ruscalleda
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (1), 13

    Abstract
    Book review: Abel Soler Molina, El corsari Jaume de Vilaragut i la donzella Carmesina. El cavaller que inspirà el “Tirant lo Blanc”, València, Edicions Alfons el Magnànim [...]

  • J. Martí Mestre
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (1), 8

    Abstract
    Book review: Gemma Gómez Duran, Gramàtica del català rossellonès, Barcelona, Publicacions de l’Abadia de Montserrat, 2016, 193 pp.

  • V. Acedo-Matellán
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (1), 3

    Abstract
    Ressenya sobre el llibre d'Anna Pineda i Cirera, Les fronteres de la (in)transitivitat. Estudi dels aplicatius en llengües romàniques i basc, Barcelona, Institut Privat [...]

  • R. Mora i Galbis
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (1), 16

    Abstract
    Book review: C. Gassulla d’Ursino, Poesia festiva. Edició i introducció a cura de Vicent Josep Escartí, València, Institució Alfons el Magnànim, 2015, 223 pp.

  • I. Mira
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (1), 11

    Abstract
    Book review: Alfons Gregori, La dimensión política de lo irreal. El componente ideológico en la narrativa fantástica española y catalana, Poznan, Uniwersytet Im. Dama [...]

  • V. Vidal
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (1), 6

    Abstract
    Book review: Maria Pujol, Josep Vallverdú: entre l’activisme cultural i el talent literari, Publicacions de l’Abadia de Montserrat, Barcelona, 2015, 131 pp.

  • C. Martínez Mayor
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (1), 1

    Abstract
    Book review: G. Crespí de Valldaura y Bosch Labrús (ed.), Diario del Señor D. Cristóval Crespí desde el día en que fue nombrado presidente del Consejo de Aragón, 9 [...]

  • M. Lacarra
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (1), 14

    Abstract
    Abstract: This dissertation deals with the status of the circulation of the Catalan versions of Esopian fables, from Aesop’s lost manuscripts to texts printed from the preserved [...]

  • C. Arronis Llopis
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (1), 9

    Abstract
    Abstract: In this paper I discuss the whole of Marian miracles included by Miquel Peres in La vida de la sacratíssima Verge Maria (Valencia, N. Spindeler, 1494). This set [...]

  • T. Martínez Romero
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (1), 4

    Abstract
    Abstract: A study of the parallelisms detected between Lo somni de Joan Joan and several Catalan compositions written in the 14th and 15th centuries, with special attention [...]

  • A. Compagna
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (1), 17

    Abstract
    Abstract: Guillem de Torroella, who probably lived between 1350 and 1375, was a Majorcan nobleman involved in the collapse of the autonomous kingdom, reintegrated into the [...]

  • J. Aragüés Aldaz
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (1), 12

    Abstract
    Abstract: The Llibre de meravelles (Felix or the Book of Wonders) by Ramon Llull includes an extensive collection of plausible stories, used by the characters to show their [...]

  • M. Garcia, L. Martín
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (1), 7

    Abstract
    Abstract:Presentation of the monograph «La gramàtica històrica i la teoria lingüística: una comunicació profitosa», number 62 (Spring 2017) of Caplletra. Revista Internacional [...]

  • J. Verdegal
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (1), 2

    Abstract
    Abstract: This article attempts to show how the translation activity can contribute to the recovery of any European minorized language. This is done by combining the concept [...]

  • C. Royo
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (1), 15

    Abstract
    Abstract: The experiencer’s semantic features, a lively entity conceivable as a proto-agent, allow its syntactic and semantic primacy in most of sentences with Catalan psychological [...]

  • J. Antolí Martínez
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (1), 10

    Abstract
    Abstract: In current Catalan, the verbs semblar and parèixer are two verbs mostly synonyms distributed territorially in a unequal way: While verb parèixer persists in the [...]

  • C. Riba Sanmartí
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (1), 5

    Abstract
    Abtstract: The article analyses the strategies employed by two Catalan poets, Maria-Mercè Marçal and Dolors Miquel, in deconstructing the discourses through which gender [...]

  • A. Sentí
    Caplletra. Revista Internacional de Filologia (2017). Vol. 32, (2), 18

    Abstract
    Book review: Francesc Feliu & Josep Maria Nadal (eds.), Constructing Languages. Norms, myths and emotions, Amsterdam/Philadelfia, John Benjamins, 2016, 416 pp., ISBN: 978-[...]

  • A. Ulla Lorenzo
    ACal (2017). Vol. 10, (1), 29

    Abstract
    The aim of this article is to study the textual and dramatic history of the Loa del juego de la pelota, a text attributed to Calderón de la Barca which was originally published [...]

  • J. Gutiérrez Meza
    ACal (2017). Vol. 10, (1), 25

    Abstract
    The legend on the passage of St. Thomas the Apostle in America was one of the consequences of the reorganization of the world view of the time, which had been disrupted by [...]

  • E. García Santo-Tomás
    ACal (2017). Vol. 10, (1), 36

    Abstract
    Luis Pérez el gallego is one of Calderón’s lesser-known dramas, and yet one of the most compelling ones when it comes to reflecting on personal and collective identity, [...]

  • J. Escudero Baztán
    ACal (2017). Vol. 10, (1), 32

    Abstract
    This paper studies some calderonian models of female violence displayed by high-ranked characters, such as queens and tyrants. The analysed plays (La cisma de Ingalaterra, [...]

  • J. Castro Rivas
    ACal (2017). Vol. 10, (1), 28

    Abstract
    The present paper analyses the meaning and mode of operation of the dramatic resource of the disputationes de colores in Calderón de la Barca’s drama, present in the comedia [...]

  • V. Roncero López
    ACal (2017). Vol. 10, (1), 23

    Abstract
    The figure of the king’s favorite reappears in the Spanish political scene in the beginning of the seventeenth century. Lope, Tirso, Calderón, and other Spanish Golden [...]

  • A. Romero Ferrer
    ACal (2017). Vol. 10, (1), 34

    Abstract
    The aim of this article is to review Marchena’s ideas about Calderón’s theater, which fall within the debate about the author of El Alcalde de Zalamea that raged over [...]

  • M. Rodríguez Sánchez de León
    ACal (2017). Vol. 10, (1), 30

    Abstract
    This study analyses the diversity of criteria with which the plays by Calderón were assessed during the first half of the 19th century, and the different classification [...]

  • C. Mata Induráin
    ACal (2017). Vol. 10, (1), 26

    Abstract
    This paper shows the image of Pedro Calderón de la Barca as it is reflected in Don Pedro Calderón, a comedy by Patricio de la Escosura written in 1866, performed for the [...]

  • L. Hernández González
    ACal (2017). Vol. 10, (1), 21

    Abstract
    Calderón de la Barca is, maybe, one of the most ideologically manipulated writers in Spanish literature. During Franco’s dictatorship Calderón and his plays were turned [...]

  • M. Cantos Casenave
    ACal (2017). Vol. 10, (1), 33

    Abstract
    The purpose of this study is to analyse the billboard of Cadiz over more than a decade to account for the theatrical context in which the famous «querella calderoniana» [...]

  • G. García-Luengos
    ACal (2017). Vol. 10, (1), 9

    Abstract
    A comedy without long runs in «romance» like «relaciones», name used by contemporary people, would have been hard to fi nd. The management of the [...]

  • A. Sánchez Jiménez
    ACal (2017). Vol. 10, (1), 4

    Abstract
    This article analyses how Calderón used the realm of the mine in one of his capa y espada comedies, Primero soy yo (c. 1640-1642), in order to show that it has a double [...]

  • A. Sáez
    ACal (2017). Vol. 10, (1), 19

    Abstract
    Amongst the conflicts of power presented in Calderón’s theatre, this work examines the struggles for succession in kingdoms (and other duchies) in a series of [...]

  • F. Rodríguez-Gallego
    ACal (2017). Vol. 10, (1), 13

    Abstract
    For his contemporaries, Calderón was probably an author primarily comic, because, at the time, his most successful plays on the stage were comical. The current image [...]

  • M. Ortega Máñez
    ACal (2017). Vol. 10, (1), 7

    Abstract
    This work deals with a certain idea of game in Calderón, starting from two metatheatrical scenes, which consists in being actor of one-self. At first it is analysed [...]

  • F. Pedraza Jiménez
    ACal (2017). Vol. 10, (1), 1

    Abstract
    The light-hearted pieces with a happy ending produced during the Spanish Golden Age were no longer in accordance to the comedy based on turpitudo et deformitas — which [...]

  • R. Palacios Espinoza
    ACal (2017). Vol. 10, (1), 15

    Abstract
    Three comedic strategies will be proposed, starting with the premise of the permeability and multifunctionality of the spaces in Calderonian drama. These reflect exclusively [...]

  • W. Nitsch
    ACal (2017). Vol. 10, (1), 10

    Abstract
    If, from an anthropological perspective, magical acts are similar to technical acts as well as to rhetorical acts, the artificial magic of baroque theatre results from a [...]

  • R. Lázaro Niso
    ACal (2017). Vol. 10, (1), 5

    Abstract
    Con quien vengo, vengo is one of Calderon’s comedies practically unnoticed by critics. It is an urban love comedy developing in a plot where misunderstandings, identity [...]

  • S. Kroll
    ACal (2017). Vol. 10, (1), 20

    Abstract
    This article tries to explain some of Calderón’s basic comic skills and the tools employed to achieve his dramatic effects, dealing especially with chance. After [...]

  • R. Folger
    ACal (2017). Vol. 10, (1), 14

    Abstract
    The example of El astrólogo fingido by Calderón de la Barca shows that Anthony Close’s reconstruction of the collective comic mentality of the age of [...]

  • E. Coenen
    ACal (2017). Vol. 10, (1), 8

    Abstract
    This paper offers an, inevitably incomplete, inventory of the techniques employed by Calderón in order to harmonise external and internal textual functions in his comedias [...]

  • I. Benabu
    ACal (2017). Vol. 10, (1), 2

    Abstract
    The present article considers aspects of the dramatic genre, illustrating the arguments adduced with reference to La devoción de la cruz. It focuses on aspects of theatrical [...]

  • F. Antonucci
    ACal (2017). Vol. 10, (1), 16

    Abstract
    Four of Calderón’s capa y espada comedies, namely La dama duende, Con quien vengo, vengo, No hay burlas con el amor, El agua mansa, play with the dramatic themes [...]

  • W. Aichinger
    ACal (2017). Vol. 10, (1), 11

    Abstract
    Taking up ideas forwarded by Henry W. Sullivan or Karl Vossler, we propose a study of Calderón’s comedies focused on moments of highest dramatic intensity and [...]

  • W. Aichinger, S. Kroll, W. Nitsch
    ACal (2017). Vol. 10, (1), 6

  • S. Sánchez-Hernández
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 39

    Abstract
    This paper aims to show the dramatic possibilities of Juan del Encina’s Égloga representada por las mismas personas, best known as Égloga de Mingo, Gil y Pascuala, included [...]

  • M. Insúa Cereceda
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 67

  • E. Duarte Lueiro
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 57

    Abstract
    A modo de introducción. «El auto sacramental: de Lope a Calderón»

  • B. Oteiza Pérez
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 45

    Abstract
    The lyric Poetry by Bances Candamos is needed of a critical edition and a detailed study for its evaluation. With this aim, this article offers the basis for its turn of the [...]

  • C. Monzó Ribes
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 73

    Abstract
    Review of Fernández Mosquera, Santiago, Calderón: texto, reescritura, significado y representación, Madrid/Frankfurt am Main, Iberoamericana/Vervuert , 2015, 354 pp. ISBN: [...]

  • M. Nogués
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 62

    Abstract
    The author of this article analyses the medieval romance with the theme of La bella malmaridada, the woman unfaithful, and studies the evolution of this topic so far until [...]

  • R. Marrero-Fente
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 52

    Abstract
    El peregrino indiano by Antonio de Saavedra Guzmán incorporates new substances into the magic spell. In addition to La Araucana, there are ingredients that come from other [...]

  • Á. Baraibar
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 41

    Abstract
    This paper aims to be an initial approach to the way in which Gonzalo Fernández de Oviedo puts up an specific discourse in his work at the time of describing the American [...]

  • J. Duarte Lueiro
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 70

    Abstract
    The author of this article reviews the critical bibliography of the sacramental plays by Lope to show how scholars have always considered that this writer adapted elements [...]

  • F. Sáez Raposo
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 59

    Abstract
    The work as a playwright of Joan Timoneda was reviled until the 1980s because of the relevance that criticism gave to its alleged lack of originality. It was interesting that [...]

  • G. Serés
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 47

    Abstract
    Reseña de Silke Jansen e Irene M. Weiss (ed.), Fray Antonio de Montesino y su tiempo, Madrid/Frankfurt, Iberoamericana/Vervuert, 2017, 261 pp., ISBN: 978-84-1692-203-1 (Iberoamericana) [...]

  • M. Insúa Cereceda
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (1), 34

  • C. Oliva
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (1), 24

    Abstract
    Preliminary note

  • L. García Lorenzo
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (1), 13

    Abstract
    Preliminary note.

  • J. Díez Torres
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 43

    Abstract
    Reseña de Prosperi, Adriano, La vocazione: storie di gesuiti tra cinquecento e seicento, Torino, Einaudi, 2016, 272 pp., ISBN 978-8-858422-55-7

  • S. Santa Aguilar
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 71

    Abstract
    Reseña de Mata Induráin, Carlos (ed.), Recreaciones quijotescas y cervantinas en las artes. Cervantes y su obra, Anejos de Rilce, 63, Pamplona, Eunsa, 2016, 283 pp. ISBN: [...]

  • B. Oteiza Pérez
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (1), 19

    Abstract
    In less than a century (from 1532 to 1618-1619 more or less) the parable of the prodigal son led the role in six dramatic plays (two comedies and four sacramental plays), [...]

  • M. de los Reyes Peña, V. Palacios
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 48

    Abstract
    This paper studies José de Valdivieso’s En los mayores peligros se conoce la amistad (Friendship is best acknowledged when in danger) one of the five autos sacramentales [...]

  • E. Duarte Lueiro
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (1), 36

    Abstract
    In the critical bibliography referred to Lope de Vega, the scholar usually finds the image of this author as a forerunner of Calderón. A good strategy to verify this impression [...]

  • A. Núñez Sepúlveda
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 64

    Abstract
    Reseña de Gaspar Aguilar, La comedia segunda de Los agravios perdonados, ed. C. George Peale, Santa Barbara, University of California, Publications of eHumanista, 2016, 128 [...]

  • I. Arellano
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 54

    Abstract
    Comments on Balbuena’s poem Grandeza mexicana, highlighting some reading keys and the danger of prejudices and lack of philological competence that are reflected in Saad [...]

  • R. Moncunill Bernet
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 44

    Abstract
    For historical reasons, antisemitism is an overarching theme in the Spanish society of the 16th and 17th centuries, and in the literature of the Spanish Golden Age. This essay [...]

  • R. López Cruz
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (1), 30

    Abstract
    Review of Arellano, Ignacio y Menéndez Peláez, Jesús (eds.), La imagen de la autoridad y el poder en el teatro del Siglo de Oro, New York, IDEA, 2016, 204 pp. ISBN 978-[...]

  • S. Tieffemberg
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 60

    Abstract
    The work proposes an analysis of Chapters IV and IX of Argentina y conquista del Rio de la Plata, the first epic poem about this region, published in 1602 by Martin del Barco [...]

  • P. Cebollero
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 49

    Abstract
    This is an introductory study to Gaspar de Villagrá’s History of New Mexico (1610) in the context of the Cortés epic cycle tradition. The concept of «epic continuity» [...]

  • J. Garrot Zambrana
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 37

    Abstract
    This paper explores the representation of the Holy Office in allegorical works in which beyond the mere mention of his name is seen the character and / or the preparation [...]

  • R. Massanet Rodríguez
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 65

    Abstract
    The parable of the prodigal son is circumscribed as a predominant theme for the authors of the Spanish Golden Age to develop the plot of some of his autos sacramentales. However, [...]

  • A. Izquierdo Domingo
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 55

    Abstract
    The success of Spiritual Literature in Golden Age, especifically St Augustine prays and his autobiography Confessions, are used by Lope de Vega to reflect the official position [...]

  • R. Lázaro Niso
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (1), 6

    Abstract
    Review of Pedro Calderón de la Barca, Céfalo y Pocris, introd. Enrica Cancelliere, ed. Ignacio Arellano, New York, IDEA, 2013, 190 pp. ISBN 978-1-938795-93-0

  • F. Méndez Sánchez, M. Durán Márquez
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 72

    Abstract
    In the beginnings of New Spain, particularly in the middle of the sixteenth century, Bishop Vasco de Quiroga maintained a serious confrontation with the inhabitants of Guayangareo, [...]

  • R. Calafat Vila
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 61

    Abstract
    In 1764, Antoni Portella i Enric presented his book titled Nou methode per aprendre la llengua llatina. Primera part dels Rudiments (in English: A new method for learning [...]

  • M. Huidobro Salazar
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 50

    Abstract
    The article approaches the epic poems that sang the process of conquest of Chile in the 16th century and, especially, the Arauco War. These works offer a representation that [...]

  • M. Ortiz Canseco
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 38

    Abstract
    This text focuses on a chief masterpiece of the Renaissance, Castiglione’s The Book of the Courtier, and aims to identify its influence on Inca Garcilaso’s work. Considering [...]

  • J. Gamba Corradine
    Hipogrifo. Revista de literatura y cultura del Siglo de Oro (2017). Vol. 5, (2), 66

    Abstract
    Taking into account the presence of Luther and Lutherans in the Cortes de la Muerte, the Farsa militar by Diego Sánchez de Badajoz and some plays from the Códice de autos [...]