Results for "Narrative" : Scipedia

Social media narratives and media prosumer

Abstract

Storytelling is a human action. Humankind practices it from memorial times until these days. Stories are important for species survival since through these knowledge is transfer from generation to the next one and social identity of communities is built. Each era is defined by [...]

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Caplletra. Revista Internacional de Filologia

Contraintes et libertés textuelles

Abstract

The article starts from a conception of language according to which the semiotic units that speakers use do not emanate from individual mental processes but from the socialization of representation instruments which, being individual elements initially, have later been involved in [...]

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Correspondencias & análisis

The concept of Chronicle: An overview from Social and Human Sciences contributions

Abstract

We reflect on the concept of the Latin American chronicle from the understanding that to build it, testimonial is not enough, but that additional criteria must be taken into account from the theories of narration, literature, social psychology, anthropology symbolic and ethnography. [...]

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Caplletra. Revista Internacional de Filologia
Periodisme i literatura: Aurora Bertrana

Abstract
This article relates the activity in the press of the writer Aurora Bertrana with her literature, and it makes evident the interdependence of journalism and literary creation in the first stage of the author’s production. It also analyzes the key role of this interaction in the construction of her image as well as in the consolidation of her intellectual prestige.
Abstract
This article relates the activity in the press of the writer Aurora Bertrana with her literature, and it makes evident the interdependence of journalism and literary creation in the first stage of the author’s production. It also analyzes the key role of this interaction in the [...]

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Comunicar. Media Education Research Journal
Violence against Brazilian women in public and mediatic spheres

Abstract
This article explores the capacity of the media to incorporate controversies in circulation in the public sphere. For that, it is based on the analysis of a set of 607 news stories about violence against women in context of gender relations and proximity collected in nine Brazilian media during the years of 2013 and 2014. Recognized as one of the countries with the highest rates of violence against women, in recent decades Brazil has passed laws aimed at protecting victims and aggravating the convictions of perpetrators, which were the result of intense debates promoted by feminists, researchers and others social actors involved in the guarantee of human rights. The collected news stories were published in the years immediately prior to the promulgation of the Feminicide Law, in 2015. Analyzed through a combination of methodologies, such as content analysis and narrative analysis, the collected news stories show that Brazilian news media are still little permeable to illuminating tendencies of violence against women as a result of gender relations, prevailing approaches that present them as routine and/or futile crimes. Therefore, the analysis makes it possible to perceive that the media are some steps behind the actions and debates that elevate this issue to a dimension of controversy, as those held in academic spaces, by feminist movements and other social actors in Brazil.
Abstract
This article explores the capacity of the media to incorporate controversies in circulation in the public sphere. For that, it is based on the analysis of a set of 607 news stories about violence against women in context of gender relations and proximity collected in nine Brazilian [...]

38

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Comunicar. Media Education Research Journal
Cinematographic narrative and education for cinema

Abstract
This paper presents the problems we have in a current society educated in the visual culture to teach Audio-visual Narrative in such a way that it takes a constant work of learning in the practical activity. Using this criterion, we begin studying the previous cultural parameters and continue with the practices, evaluation methods and feedback between pupils and teachers.
Abstract
This paper presents the problems we have in a current society educated in the visual culture to teach Audio-visual Narrative in such a way that it takes a constant work of learning in the practical activity. Using this criterion, we begin studying the previous cultural parameters [...]

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Comunicar. Media Education Research Journal
New Television Narratives: Entertainment, Telling, Citizenship, Experimental

Abstract
Broadcasting and industrial television is a trip back to the past, to a space devoid of meaning, and to the boredom resulting from its moral conservatism, lack of creativity, thought and entertainment. But television’s monopoly over public screening is over; now, anyone can be a producer, an audiovisual narrator with his or her own screen. New television and other screens are daring to change the way stories are told: a more subjective, testimonial and imagebased journalism; a hyperrealist soap opera that dares to bring melodrama to comedy, documentary and local cultures; a bottom-up media with people in charge of breaking with the thematic and political homogeneity of the media, market and development machines. This essay will argue in favor of television as a space for expression by unstable identities, narrative experiments and unknown possibilities for audiovisual creation…only if «it takes the form» of women, indigenous peoples, African races, the environment, other sexualities…and plays on YouTube and new screens that are community-based and cellular. The most important thing is for television to move away from an obsession with content towards aesthetic and narrative explorations of other identities and into narratives that are more «collaboractive», with the possibility that they become the stories we want them to be.
Abstract
Broadcasting and industrial television is a trip back to the past, to a space devoid of meaning, and to the boredom resulting from its moral conservatism, lack of creativity, thought and entertainment. But television’s monopoly over public screening is over; now, anyone can be a [...]

12

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Adrià Naranjo's personal collection
Cambios en la estructura narrativa de las series de Netflix. El caso de Mindhunter

Abstract
Abstract:

This paper examines the impact of Netflix simultaneous release on the narrative structure of Mindhunter (2017Today). The analysis of its first season shows that it adopts a structural model unconstrained by the procedural format formula, and that the season is conceived as a feature film that develops a complex main character. Simultaneous release impacts in cliffhangers and episodic plots too, as they become less prominent.

Resumen:

Este artículo aborda el impacto del estreno simultáneo de Netflix en la estructura narrativa de Mindhunter (2017-Hoy). El análisis de su primera temporada muestra que adopta un modelo estructural libre de la fórmula del formato procedimental, y que se concibe la temporada como un largometraje que gira entorno al desarrollo de un personaje complejo. El estreno íntegro, además, hace que el cliffhanger o las tramas episódicas pierdan protagonismo.
Abstract
Abstract:

This paper examines the impact of Netflix simultaneous release on the narrative structure of Mindhunter (2017Today). The analysis of its first season shows that it adopts a structural model unconstrained by the procedural format formula, and [...]

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