Abstract

The opera industry wants to renew its audience and has undertaken several strategies based on digitalization and audiovisual broadcasting to achieve it. In order to attract and create a stronger bond with new audiences, it is exploring different ways to update its information policy and modernize its image. By means of Internet, it has managed to get the opera show offstage, bringing it closer to the daily lives of its spectators thanks to video on demand (VOD) and to live streaming broadcastings. It has made the most of mobile devices to enhance their shareable presence, imitating the audiovisual commercial trends to arouse enthusiasm among its viewers and creating social networks to offer the audience a referential background. Finally, the opera industry looks upon its current state and its social integration as a means of regaining its relevance.

Abstract

The main theoretical approaches related to the study of political communication, defined as the interaction between political parties, the media, and citizens, are analyzed. The theories are summarized into two main currents: first, those theories and approaches that emphasize political mediatization, which is the adaptation of political messages to the discourse, strategies, interests, and logic of mass media; second, the theoretical approaches that warn about the dependence of the media on external actors, as well as the loss of influence and relative importance of the media in the last years.

Abstract

Political talk shows -called “tertulias” (media gatherings) in Spain- are a dialogical opinion genre without a clear codification. Their wide-ranging presence and large audiences in the Spanish media system are the reason for the central role of this type of programming in radio and television. These political media gatherings allow for a flexible political discourse process. However, the selection of “opinion-makers” shows a “false” internal plurality that facilitates the spectacularization of political content through the political personification and dramatization of personal anecdotes which heighten the emotional register. In this article two daily regional TV political talk shows -one public (Televisió de Catalunya, TV3) and one private (8TV)- and one public local broadcaster (Barcelona Televisió, BTV) are analyzed to detect elements of spectacularization from the campaigns of Barcelona’s local elections (2015).

Abstract

Relations between journalists and Public Relations professionals have been the subject of various investigations. In a context in which great precariousness in the media coincides with an increase and professionalization of communication agencies, we propose to study their informational relations. Our objective is to determine the perceptions of journalists and Public Relations professionals regarding their work and profession, identify how the influences between these two groups of professionals are established, and evaluate their routines and interactions. This research has been carried out using the qualitative discussion group technique (n = 43). Among the results, the media’s weakness stands out in the face of Public Relations that is experiencing a golden age, capable of exercising not only a relationship of influence that fits with the “determination model” but also aspiring to journalistic disintermediation. 

Abstract

Relations between journalists and Public Relations professionals have been the subject of various investigations. In a context in which great precariousness in the media coincides with an increase and professionalization of communication agencies, we propose to study their informational relations. Our objective is to determine the perceptions of journalists and Public Relations professionals regarding their work and profession, identify how the influences between these two groups of professionals are established, and evaluate their routines and interactions. This research has been carried out using the qualitative discussion group technique (n = 43). Among the results, the media’s weakness stands out in the face of Public Relations that is experiencing a golden age, capable of exercising not only a relationship of influence that fits with the “determination model” but also aspiring to journalistic disintermediation.