Abstract

The aim of this paper is to offer a contrastive view of the literary style of the Valencian poet Vicent Andrés  Estellés. By focusing on one of his latest books published, Sonata d'Isabel, it analyses the different types of diction his poems display, so as to understand and better comprehend the versality of his poetry.

Abstract

Resum: This essay revises the contribution that Catalan poetry of the 1950s and 60s made to the aesthetic trend of realism, or rather neo-realism. It is also concemed with its contribution as a movement, focusing on the most important poets, among them, Vicent Andrés Estellés, Miquel Martí i Pol, Josep María Llompart i Gabriel. Paraules clau: poesia; realisme; realisme històric; neo-realisme; Vicent Andrés Estellés; Miquel Martí i Pol; Josep Maria Llompart i Gabriel

Abstract

The article analyses several reading and dramatisation performances of Estellés’ texts, taking into account the dialogue as an ideological construction and the scenographical dimension as an explanation or reinforcement of the author’s unchanging poetics: the reflections about the identity, the body and the objects.

Abstract

This work reviews the poetic compositions that Vicent Andrés Estellés considered as —and named— epistles throughout his extensive literary production. This type of compositions, together with epheglies, consolidated him as a poet in the Catalan language during the fifties. They also contributed to provide his poetry with a conversational tone, where the poetic subject took advantage of his interlocutor and recipient in order to build himself in the text. This study publishes, among the revised texts, three unpublished epistolary poems.