Resum

The article analyses several reading and dramatisation performances of Estellés’ texts, taking into account the dialogue as an ideological construction and the scenographical dimension as an explanation or reinforcement of the author’s unchanging poetics: the reflections about the identity, the body and the objects.

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Published on 30/09/02
Accepted on 30/09/02
Submitted on 30/09/02

Volume 17, Issue 2, 2002
DOI: 10.7203/caplletra.33.4927
Licence: CC BY-NC-SA license

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