The author provides us with a series of data about scenography and dramatic precepts in the Rosellon theatre in the xvm and XÍX centuries. Focusing on two works of Passion theatre and one of hagiography of Rosselló, he describes actors' behaviour and the societal and linguistic milieu, taking note of the material and theoretic components of dramatic representations on that time and place.
Published on 01/07/90
Accepted on 01/07/90
Submitted on 01/07/90
Volume 5, Issue 2, 1990
DOI: 10.7203/caplletra.9.7762
Licence: CC BY-NC-SA license
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