This article has as its goal to analyze the dramatic text «Elsa Schneider» (1987), by Sergi Belbel, starting from the concept of irony of contrast between text and context of communication. This ironic resource is conveyed through the different composition of the three sequences of monologues in which the work is structured. With this resource the author offers an approach to a metadiscursive subject matter which revolves around scenic communication and theatrical genres.

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Published on 30/09/06
Accepted on 30/09/06
Submitted on 30/09/06

Volume 21, Issue 2, 2006
DOI: 10.7203/caplletra.41.4835
Licence: CC BY-NC-SA license

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