The author analyses the parallel components of the brevity parameter between the written and the film narrative, and, at the same time, the languages autonomy that each one involves, starting from the specific performance option in two versions of the tale Redacció (‘Composition’) by Quim Monzó.

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Published on 30/09/02
Accepted on 30/09/02
Submitted on 30/09/02

Volume 17, Issue 2, 2002
DOI: 10.7203/caplletra.33.4928
Licence: CC BY-NC-SA license

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