Abstract
The presence of “Conceptual Network of the Semantics of Action” components (Ricoeur, 2000) will be denoted in a large sample of cinematographic works of fiction (ie, based on the staging) previously made to dialogue to end the conflict, taking as a starting point the sixties (when insurgent groups were emerge). It was considered only films with narrative instances and ostensibly Colombian stories and with at least 70 minutes long, time required for being legally considered a long film in Colombia.
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