Abstract

From 1915 to the postwar years, Caries Salvador wrote over a dozen plays, some of which were left unpublished, and others which were never brought to the stage. Comedies, comic interludes and a miracle story about Saint Vicent make up this group of texts. Roselló analyzes them in detail.

Abstract

The authors have researched the renovating activities of the Teatre Estudi, nucleus of Lo Rat-Penat society, in which they distinguish two periods: the first, 1956-1957, under the presidency of Josep Alarte, and the second, 1958-1960, presided by Rafael Llorenç i Romaní. They offer a detailed follow-up of the plays performed for the first time, the mise-en-scène and the repercussion on audience attendance.