Caplletra. Revista Internacional de Filologia
Les representacions de la poesia escènica de Joan Brossa entre el 1947 i el 1959
Abstract
The author presents a study of Joan Brossa's Scenic Poetry, both from a reading of the texts and by a follow-up and analysis of their consummation on stage. This is a first approach to the performances of the period comprised between 1947 and 1959, and an advance of basic general [...]
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Caplletra. Revista Internacional de Filologia
Joan Oliver i Salvador Espriu en el teatre de postguerra
Abstract
The author sets out the dramatic production of Joan Oliver and Salvador Espriu, two different ways of understanding the concept of theatrical literary creation and of interpreting projection requirements. Oliver, in general, presents the angle of the bourgeois comedy; the critical [...]- 1
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Abstract
This article scans Pedrolo's dramatic oeuvre starting from the comparative analysis of story-line and thematic aspects, characters, space and time. The final ambition is to emphasize the fact that three periods may be defined: early theatrical experiments (1954-1956), central production [...]- 0
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Abstract
This book analyzes the whole of Llorenç Villalonga's dramatic production - the relationship between the theatrical plays and the novels, and the classification and study of the dramatic production - following two basic lines: circuit theatre (halfway between comedy and customs and [...]- 2
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Abstract
The author studies the changes taken place in the stories which have given rise to the theatrical play in its passage from the genres of narrative to drama, from narrated history to performed history.- 1
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Caplletra. Revista Internacional de Filologia
La maduresa d'un autor: Josep M. Benet i Jornet, de «Revolta de bruixes» a «Fugaç»
Abstract
A study of the elements characterizing J.M. Benet i Jornet's mature creative period, those refering both to thematic evolution and to new conceptions of theatrical technique and aesthetics.- 1
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