Abstract

The false and negative image of the audiovisual association movement stems in part from the associations themselves. The difficulties we encounter in our work are related to the complex audiovisual world (complex and kaleidoscopic product, psychologically complex relations between consumer and media, market of enormous dimensions and complex opacity). The cultural character of the product relates it to the delicate world of free expression all the while separating it from other audiovisual products share its enormous potential for socialization. In this context, the associations must learn to offer our service to society.

Abstract

«Metrosexuals» or «übersexuals» are lately all the rage in mass media and among young people. This model is not new: it is the result of a process of transformation initiated some time ago in Westem Societies. The new man who worries about so, called female topics is on the one hand a social reality and on the other one, an advertising construction. «Metrosexuals» and «übersexuals» as a social reality are one of the results of the revolution carried out by women, however they are an advertising artefact as well, because they are the product of companies which through observation and due to advertising have tumed a minor trend into a mass phenomenon.