Abstract
This article aims to describe and characterize space in Lope de Vega’s biblical play La hermosa Ester (1610). With the exception of two comic interludes found respectively in cuadros E and H and set in a hamlet near to the Persian capital, the remaining 11 cuadros are set in the [...]Abstract
The work as a playwright of Joan Timoneda was reviled until the 1980s because of the relevance that criticism gave to its alleged lack of originality. It was interesting that when critics tried to correct this judgment was not done from an aesthetic point of view, much less dramaturgic. [...]