Abstract

Meseguer situates Carles Salvador within the literary trends of his contemporaries. He deals with Salvador's implicit and explicit ideological influences, focusing on the poetics of various texts: El jazz, el maquinisme i la poesia pura (1928), Colps d'escut i de sageta (1929), Significado de Avantguardisme, his declaration in La poesia valenciana en 1930, and his unpublished paper El meu concepte de la poesia.