Abstract

Varias composiciones de los siglos XVI y XVII se enmarcan, por su comicidad, en el objetivo de retratar costumbres y flaquezas de la sociedad cortesana del periodo, como es el caso de la novela ejemplar El coloquio de los perros de Miguel de Cervantes. Por esta razón, se eligió [...]

Abstract

The composition of the dramatic texts of the Golden Age aims at their on stage peformance, and so, some of their textual elements direct them towards a particular staging. The play La franchota has, on one hand, characters which, when performed, can be easily identified by the spectators [...]

Abstract

The «teatro breve», in general, and the «entremés», in particular, already have a more than considerable amount of bibliography. However, critics have paid little attention to the «autores de comedias» or actors who were also playwrights. Among them is Alonso de Olmedo, who [...]

Abstract

This article explores the ways in which a Golden Age joke is manipulated to become an integral part of Calderón’s La casa holgona. Antón, the Flemish student, turns the joke into a verbal weapon that insults, offends and ridicules one of the prostitutes in the entremés. The joke, [...]

Abstract

En este trabajo se ofrece el análisis y la edición anotada del entremés La campana de descasar, de José Joaquín Benegasi y Luján (1707-1770), escritor de la época postbarroca inclinado a la literatura jocoseria cuya producción teatral (una comedia burlesca y cinco piezas breves) [...]