Abstract

Within the dramatic action and beside its techniques of representation (dialogue, monologue, visual, acoustic and mimetic means), the letter is an important way of communication, be it between protagonists that are not present on stage, be it in order to inform the public of inaccessible details required by the action. By integrating letters read aloud, Calderón creates additional dramatic elements, depending on how the letters are charged with informations, how they are formulated and how they are transmitted. The letter is a very effective means of reinforcing the aesthetic and psychological impact of the drama. Critics should investigate this phenomenon in a very more detailed manner.