Anuario Calderoniano

Vulgarizing a Myth: the Role of the Graciosos in Calderón’s La fiera, el rayo y la piedra

Abstract

The present article analyzes the various dramatic functions developed by the three graciosos of the play and their inclusion in the diegesis, starting from the expressive modes of the comical in courtly performances. Based on a short itinerary of the most famous works of 17th century [...]
Anuario Calderoniano

Jardines duplicados en las comedias mitológicas de Calderón

Abstract

This article analyzes the technique of duplication focusing on the motive of the garden in La fiera, el rayo y la piedra, Apolo y Climene and Ni Amor se libra de amor. It starts from the symbolic construction of the garden in the baroque theatre and from the singularities that [...]