M. Cantos Casenave
The purpose of this study is to analyse the billboard of Cadiz over more than a decade to account for the theatrical context in which the famous «querella calderoniana» occurs. According to Llorens, in Cádiz around 1818, there was no Golden Age theatre scheduled. Therefore Juan Nicolás Böhl had to prepare an ad hoc performance to satisfy the demand of «two German naturalist wise men», who neither had found it in Madrid. This paper aims to verify this assertion and evaluate the continuity or novelty of dramatic practice in the XVIIIth century.
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Published on 16/11/17Accepted on 16/11/17Submitted on 16/11/17
Volume 10, Issue 1, 2017Licence: CC BY-NC-SA license
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