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Resum
Analysis of all the performance codes which can be found in folk music shows controlled by the sound technology, following the parameters of the pop and rock music semiotics from the last decades. Particularly, it is stressed the subordination of the oral and musical communication to technology.
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Published on 30/09/02
Accepted on 30/09/02
Submitted on 30/09/02
Volume 17, Issue 2, 2002
DOI: 10.7203/caplletra.33.4922
Licence: CC BY-NC-SA license
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