Zhuo et al 2020a - Revision history

Rimni at 13:41, 20 May 2021

2021-05-20T13:41:11Z

Rimni at 13:39, 20 May 2021

2021-05-20T13:39:54Z

Rimni: /* 2.3 Implementing empathy in AED-based visual impression */

2021-05-20T13:38:45Z

‎2.3 Implementing empathy in AED-based visual impression

Rimni at 09:25, 21 January 2021

2021-01-21T09:25:44Z

Rimni at 09:25, 21 January 2021

2021-01-21T09:25:02Z

Rimni at 09:05, 21 January 2021

2021-01-21T09:05:44Z

Rimni at 09:05, 21 January 2021

2021-01-21T09:05:19Z

Rimni at 09:03, 21 January 2021

2021-01-21T09:03:45Z

Wz134 at 15:34, 20 January 2021

2021-01-20T15:34:15Z

Rimni at 14:11, 20 January 2021

2021-01-20T14:11:59Z

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← Older revision		Revision as of 13:41, 20 May 2021
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−	The initiator observes the part through the camera. After AR processing, the cyber-physical space (CPS) adds visual information that represents the intent of the initiator. The body of a real part can automatically establish four azimuth spaces in CPS through the shared perspective (~~as shown in~~ [[#img-2\|Figure 2]]), and the pose of the initiator is determined by tracking module.	+	The initiator observes the part through the camera. After AR processing, the cyber-physical space (CPS) adds visual information that represents the intent of the initiator. The body of a real part can automatically establish four azimuth spaces in CPS through the shared perspective ([[#img-2\|Figure 2]]), and the pose of the initiator is determined by tracking module.

	Through a well-designed spatial directional tracking algorithm, the vertical line of sight is operated and intersects with the Z axis to form a viewing plane. By calculating the spatial angle between the viewing plane and the XZ plane, the above operating mechanism can determine the directional space in which the initiator is located at this time and highlight the corresponding manufacturing information to create a visual impression using the remote receiver. Regardless of how initiators move, visual information is always perpendicular to the user's line of sight.		Through a well-designed spatial directional tracking algorithm, the vertical line of sight is operated and intersects with the Z axis to form a viewing plane. By calculating the spatial angle between the viewing plane and the XZ plane, the above operating mechanism can determine the directional space in which the initiator is located at this time and highlight the corresponding manufacturing information to create a visual impression using the remote receiver. Regardless of how initiators move, visual information is always perpendicular to the user's line of sight.

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 Carrier et al. [30] have introduced the “virtual empathy” to try revealing the nature of the relationship between network usage and empathy. In the form of questionnaires, they collected feedback on daily media usage, empathy, virtual empathy, social support, and demographic information about youths. The result of the importance in face to face communication shows that the online can’t replace face-to-face and is unable to reduce the real-empathy, which implies a lack of nonverbal cues in the network world will result in the virtual overall lower level of empathy comparing with the real. Kumar et al. [31] created a delightful experience based on empathy and visualization for prompting designers to embrace empathy to reach consensus on the needs of users. This paper has shared a case study that illustrates the power of empathy to understand complex experiences. Lee et al. [22] have used an “empathy glasses” to achieve collaborative operations between the remote helper and the local staff. The remote helper can observe the view of a local operator through the desktop display device which displays the visual representation of personal attributes (i.e., gazes, facial expressions and physiological signals) collected by sensors equipped with the “empathy glasses”, to achieve the goal. Gerry et al. [32] have designed a virtual reality system aimed at exploring the potentials of compassion and creativity during the painting process. The academic value is to be a realistic experience superimposed on another experience, so as to effectively guide the user to create infectious works. Kostelnick et al. [33] have studied the term between the data visualization and emotional appeals, i.e., changing the relationship between the designer and the user, this novel form of data design has intensified the affective impact of data displays by eliciting emotions ranging from excitement and empathy to anxiety and fear. Piumsomboon et al. [24] put forward an empathy experience and interactive environment based on MR, the focus is that the visualization method can reasonably express the empathy process, so as to effectively realize human-computer interaction and collaboration. These papers examine two attributes of design philosophy: empathy and visualization. Most of methods resort the study of the initiator in practice thinking to determine the role of empathy in the design process.
-Empathy is solved by exploring two aspects of the effective and cognitive theory. The initiator’s design thinking view regarded as a reflexive practice[34], or as a creator of meaning, or even as a problem-solving activity is used to understand how the transference can be used in the design environment. Tan envisage empathy to be crucial for the establishment of building consensus and seeing a situation from the other person’s point of view to improve working relationships [12]. While nothing is more real, vivid and intuitive than our senses in face-to-face communion, the empathic visualization could partake vicariously of each other's senses for bringing the visual interaction to life. It is worthy of special mention that, the exploration in this article isn’t for emotional clues but rather for natural persons’ intention and strategy, i.e., we embrace not only the expression characteristics in AR visualization but also make the empathic process for the initiator’s motivation. As shown in [[#img-1|Figure 1]], empathic communication permits the initiator and the receiver to come to a consensus on common purposes.
+Empathy is solved by exploring two aspects of the effective and cognitive theory. The initiator’s design thinking view regarded as a reflexive practice [34], or as a creator of meaning, or even as a problem-solving activity is used to understand how the transference can be used in the design environment. Tan envisage empathy to be crucial for the establishment of building consensus and seeing a situation from the other person’s point of view to improve working relationships [12]. While nothing is more real, vivid and intuitive than our senses in face-to-face communion, the empathic visualization could partake vicariously of each other's senses for bringing the visual interaction to life. It is worthy of special mention that, the exploration in this article isn’t for emotional clues but rather for natural persons’ intention and strategy, i.e., we embrace not only the expression characteristics in AR visualization but also make the empathic process for the initiator’s motivation. As shown in [[#img-1|Figure 1]], empathic communication permits the initiator and the receiver to come to a consensus on common purposes.
 <div id='img-1'></div>

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 The optical cue is a kind of medium with special meanings, some of which are inherent traits while others of which are conventional forms of artistic expression in daily life. The exclusive characteristics, marvelous inventions or typical states in optical cues will enter the sensory apparatus for stimulating neuronal cells on the human retina through the visible light. Once stimulation can form a corresponding electrical signal, the central nervous system will precipitate the signal traversing the whole body, and then the result is represented as the "immersed feeling", the body will automatically fuse this "feeling" with private experiences to form the intentions and strategies of personalization, which is called as visual impression. After individuals can quickly detect and reuse these visual cues, the initiator design visual forms, suggesting individual intentions and strategies, in order to transfer his personal will to the receiver. Owing to the same rule of visual cues following by the receiver, it leads the visual information to reach a consensus between them.
-Referring to the design principles in relevant literatures [35,36], interactive contents in AED can be attributed to five fundamental elements, color[37], intensity[38], wire frame[39], language[40], coordinate. The first three elements belong to the attributes of the material itself, and the last two are defined by one's own custom.
+Referring to the design principles in relevant literatures [35,36], interactive contents in AED can be attributed to five fundamental elements, color [37], intensity [38], wire frame [39], language [40], coordinate. The first three elements belong to the attributes of the material itself, and the last two are defined by one's own custom.
 ''Color'': Color is a substance that exists in nature, usually divided into three basic pigments. Some articles show that people in blue or green rooms report more relaxed than those painted in warm colors such as red, yellow and orange.

← Older revision		Revision as of 09:25, 21 January 2021
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−	The number of interruptions (~~see~~ Figure 6) is proportional to the effective operating time. Too few times of consultation had caused in a significant increase in effective operation time and interruptions. The excessive number of consulting times had not significantly shortened the effective operation time, and interruptions were also not significantly reduced. Too little human experience had played a negative role in reducing the number of inquiries. The counseling times and interruptions were able to be positively affected by human experience. Human experience had served a useful purpose on the shortening of effective operation time. We have recorded the specific response of each receiver in 4 modes, as shown in [[#tab-1\|Table 1]].	+	The number of interruptions ([[#img-6\|Figure 6]]) is proportional to the effective operating time. Too few times of consultation had caused in a significant increase in effective operation time and interruptions. The excessive number of consulting times had not significantly shortened the effective operation time, and interruptions were also not significantly reduced. Too little human experience had played a negative role in reducing the number of inquiries. The counseling times and interruptions were able to be positively affected by human experience. Human experience had served a useful purpose on the shortening of effective operation time. We have recorded the specific response of each receiver in 4 modes, as shown in [[#tab-1\|Table 1]].

	<div class="center" style="font-size: 75%;">'''Table 1'''. Human response based on empathy</div>		<div class="center" style="font-size: 75%;">'''Table 1'''. Human response based on empathy</div>

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 |  style="text-align: center;vertical-align: top;"|18’/0/21’45’’/18
 |}
-<div style="text-align: center; font-size: 75%;">*M1～M4: mode 1, mode 2, mode 3 and mode 4.</div>
+<div style="text-align: left; font-size: 75%;">*M1～M4: mode 1, mode 2, mode 3 and mode 4.</div>
-<div style="text-align: center; font-size: 75%;">*ECT: Effective Consulting Time. ECN: Effective Consulting Number. EOT: Effective Operation Time. IN: Interruption Number.</div>
+<div style="text-align: left; font-size: 75%;">*ECT: Effective Consulting Time. ECN: Effective Consulting Number. EOT: Effective Operation Time. IN: Interruption Number.</div>

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 {| style="text-align: center; border: 1px solid #BBB; margin: 1em auto; width: auto;max-width: auto;"
 |-
-|style="padding:10px;"| [[Image:Draft_Wang_614701216-image15-c.png|370px]]
+|style="padding:10px;"| [[Image:Draft_Wang_614701216-image15-c.png|420px]]
 |- style="text-align: center; font-size: 75%;"
 | colspan="1" style="padding-bottom:10px;"| '''Figure 8'''.  Entitativity scores of four modes

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 <div class="auto" style="text-align: left;width: auto; margin-left: auto; margin-right: auto;font-size: 85%;">
-[1]	 French, Thomas Ewing. Mechanical drawing CAD-communications. McGraw-Hill, 1990.
+[1]	 French, T.E. Mechanical drawing CAD-communications. McGraw-Hill, 1990.
 [2]	 Bourguignon D.,  Cani M.P.,  Drettakis G. Drawing for illustration and annotation in 3D. Computer Graphics Forum, 20:114-123, 2001.