https://www.scipedia.com/wd/index.php?action=history&feed=atom&title=De_et_al_2018fDe et al 2018f - Revision history2026-04-16T04:23:25ZRevision history for this page on the wikiMediaWiki 1.27.0-wmf.10https://www.scipedia.com/wd/index.php?title=De_et_al_2018f&diff=94131&oldid=prevLiz Contreras: Liz Contreras moved page Draft CONTRERAS YALICO 948385986 to De et al 2018f2018-09-27T21:55:40Z<p>Liz Contreras moved page <a href="/public/Draft_CONTRERAS_YALICO_948385986" class="mw-redirect" title="Draft CONTRERAS YALICO 948385986">Draft CONTRERAS YALICO 948385986</a> to <a href="/public/De_et_al_2018f" title="De et al 2018f">De et al 2018f</a></p>
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</td></tr></table>Liz Contrerashttps://www.scipedia.com/wd/index.php?title=De_et_al_2018f&diff=94102&oldid=prevLiz Contreras: Created page with " == Abstract == The aim of this paper is to approach and to understand the ways that three newspapers of northern Argentina (Pregón, El Tribuno de Salta and El Liberal) tell..."2018-09-27T21:55:20Z<p>Created page with " == Abstract == The aim of this paper is to approach and to understand the ways that three newspapers of northern Argentina (Pregón, El Tribuno de Salta and El Liberal) tell..."</p>
<p><b>New page</b></p><div><br />
== Abstract ==<br />
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The aim of this paper is to approach and to understand the ways that three newspapers of northern Argentina (Pregón, El Tribuno de Salta and El Liberal) tell the news, considering the first stylistic level and the second net graphical-spatial level. Based on this, it proposes a critical reflection on the mechanisms and modalities applied on the redaction surface, identifying needs and challenges in the context of the demands of the digital world and the transformation of media consumption habits. The main conclusions, there is a predominance textual classic/conservator on innovative visual forms, a graphical prevalence of the advertising guideline and publishing priorities on the news frames, an aesthetic<br />
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== Full document ==<br />
<pdf>Media:Draft_CONTRERAS YALICO_948385986-2614-document.pdf</pdf></div>Liz Contreras