https://www.scipedia.com/wd/index.php?action=history&feed=atom&title=De_et_al_2018dDe et al 2018d - Revision history2026-04-16T05:51:59ZRevision history for this page on the wikiMediaWiki 1.27.0-wmf.10https://www.scipedia.com/wd/index.php?title=De_et_al_2018d&diff=94125&oldid=prevLiz Contreras: Liz Contreras moved page Draft CONTRERAS YALICO 330454686 to De et al 2018d2018-09-27T21:55:37Z<p>Liz Contreras moved page <a href="/public/Draft_CONTRERAS_YALICO_330454686" class="mw-redirect" title="Draft CONTRERAS YALICO 330454686">Draft CONTRERAS YALICO 330454686</a> to <a href="/public/De_et_al_2018d" title="De et al 2018d">De et al 2018d</a></p>
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<td colspan='1' style="background-color: white; color:black; text-align: center;">Revision as of 21:55, 27 September 2018</td>
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</td></tr></table>Liz Contrerashttps://www.scipedia.com/wd/index.php?title=De_et_al_2018d&diff=94108&oldid=prevLiz Contreras: Created page with " == Abstract == This article proposes to analyze the representation of race, class and moral in television phenomena “Magaly TeVe” and “Al fondo hay sitio” from an an..."2018-09-27T21:55:26Z<p>Created page with " == Abstract == This article proposes to analyze the representation of race, class and moral in television phenomena “Magaly TeVe” and “Al fondo hay sitio” from an an..."</p>
<p><b>New page</b></p><div><br />
== Abstract ==<br />
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This article proposes to analyze the representation of race, class and moral in television phenomena “Magaly TeVe” and “Al fondo hay sitio” from an anthropological glance of the television, and understanding their communicative, discursive and social dimensions. On one hand, after analyzing the discourse of “Magaly TeVe”, it was easy to see that the why and how the success of the communication strategy for this television phenomenon closely imposes moral and socially shared codes, and a configured mode of organization, relationship and interaction already validated in our social fabric.<br />
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== Full document ==<br />
<pdf>Media:Draft_CONTRERAS YALICO_330454686-5765-document.pdf</pdf></div>Liz Contreras