Abstract

Abstract

Con quien vengo, vengo is one of Calderon’s comedies practically unnoticed by critics. It is an urban love comedy developing in a plot where misunderstandings, identity changes, disguises, and the nocturnal are present. In this article, different resources used by the playwright to create a comedy and its functionality in the thematic thread are reviewed. Furthermore, the role of the gracioso character, his distinctive features and different linguistic resources are analysed.