Abstract

The present work analyses the presence of multiple scenic spatiality sequences in cloak and sword plays of Calderon. Multiple scenic spatiality is understood as the use of simultaneous and contiguous dramatic spaces, from a simple ingenious circumstance or a comic scene up to a complex situation of space that is the centre or dramatic core of the argument and can also have symbolic values. The article points to some of the functions of multiple scenic spatiality, moreover to the forms of creation and the different types that we find in the work of Calderon.