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Under Fujimori’s regime, Peruvian Press knew the explosion of Popular Press. This one had a very special relationship with Fujimori’s regime and his communication strategies. It could be seen through positive president representations and contenders defamation. Following a semio-pragmatic approach, this article underlines narrative and semantics constants present in media content through this press in their first page and put discursive strategies deployed in relation with reception practices.

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This article shows a new vision of Media Consumption for Communication Research through the relation between a host society and Diaspora. Immigrant’s Media Consumption is already one of the fields with less bibliography in Spain. Therefore, we show the importance of generating other lines of Research in Communication that approach the study of the new reality that is forming at present, in our society. Migrations put in question not only the traditional vision of the media experience from Spanish Research with a national and sedentary public, but also it reexamines the role of Mass Media aimed to immigrants.

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The performance of The Constant Prince by Grotowski’s Teatr Laboratorium was a turning point for the history of Western theatre, but tradicionally its infl uence on the 20th century Spanish stage has been considered not really relevant, at least as far as it concerns the restauration of Calderón plays onstage. The aim of this paper is to report the reception of Calderón’s spiritual dramas in Spain. First of all we will remind the history of the performance of his religious plays from his death till the 60’s; then we will focus on Spanish first reactions to Grotowski’s show inspired by the comedy about Ferdinand the Holy Prince, and finally we will analyze the presence of ritual in the contemporary Spanish staging of Calderón.

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