Abstract

To the first years of the decade from the seventy, the movies only had had a channel of valid distribution: the film room. Inside the commercial television programming was al margin of the general offering. Even, to early fifties, the large studies of Hollywood refused to sell or [...]

Abstract

The present paper analyzes the results of a qualitative investigation developed by the Spanish public television on the values and characteristics of the national television fiction genre, as well as other aspects of its latest evolution. The conclusions of this qualitative analysis [...]