Abstract

The author presents a study of Joan Brossa's Scenic Poetry, both from a reading of the texts and by a follow-up and analysis of their consummation on stage. This is a first approach to the performances of the period comprised between 1947 and 1959, and an advance of basic general [...]

Abstract

This article supports the importance of the relationship between verbal and visual codes in the analysis of specific sequences in the “scenic poetry” works by Joan Brossa. Thus, it evaluates examples of particular texts that reveal the multiplicity of theatrical registers and [...]