Abstract

This article studies the relation between the main and the secondary plot in Calderón’s comedy Casa con dos puertas, mala es de guardar. The critic analyzes the connection between the main story line of Marcela and Lisardo and the second one, the one of Laura and Félix. González [...]

Abstract

This paper examines the dualities, symmetries and paralelisms of Casa con dos puertas, mala es de guardar, which affect to several aspects of the play, as the argument, the structure, the characters, the spaces and the dialogues. The study of the Calderón’s «perfect mathematics» [...]