Abstract

This paper outlines the evolution of education for the communication in Cuba since 1959. Film education, which once had a protectionist approach influenced by the critical theory of the School of Frankfurt, is now promoting the participation of children and teenagers as agents of [...]

Abstract

Film education in the digital age should be based on three closely-related and complementary fundamentals: to see, to analyze and to make films with young people; three basics that must interact and support each other. The concept of creative analysis could be the glue the binds this [...]