This paper offers an, inevitably incomplete, inventory of the techniques employed by Calderón in order to harmonise external and internal textual functions in his comedias de enredo. At the same time, it aims to offer a sketch of a method for detailed analysis of theatre texts in general, which will be shown to be especially adequate for studying comedias de enredo.
Abstract
This paper offers an, inevitably incomplete, inventory of the techniques employed by Calderón in order to harmonise external and internal textual functions in his comedias de enredo. At the same time, it aims to offer a sketch of a method for detailed analysis of theatre [...]