Abstract

This article analyses the sacramental play El árbol de mejor fruto trying to discover the sources used by Calderón and the structure of the play. The study is organised in three sections. The first one deals with motifs and legends that inspired Calderón to write this play, making an extend reference to authors and sources where the author could have found them. The second part studies the motif of the tree of the Christian cross that is very common in Spanish Golden Age theatre. Arellano examines different works but he especially pays attention to the sacramental plays La humildad coronada de las plantas, La lepra de Constantino, Primero y segundo Isaac, Primer refugio del hombre, La redención de cautivos and El jardín de Falerina. There is also a detailed comparison between El árbol de mejor fruto and the comedia La sibila de oriente. The third section examines the structure of this auto sacramental, attending to the metric form and the argument.

Abstract

This paper examines some significant autographs of Calderón’s sacramental plays, analyzing the information provided by the process of writing and amendment reflected in the changes and interventions by the own hand of the poet on this manuscripts, in several categories, including the mistakes and slips of the pen.