By means of an elliptical reflection in an experimental-noted format, the author proposes a series of communicative and pragmatic elements of reception as a way to define the relationships between the dramatic play and the audience in the performance.
Published on 30/09/02
Accepted on 30/09/02
Submitted on 30/09/02
Volume 17, Issue 2, 2002
DOI: 10.7203/caplletra.33.4930
Licence: CC BY-NC-SA license
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