The author applies the methodological basis of the theatre in the street to the theatrical approaches and the particular performances of Vila-Real’s group Xarxa Teatre. Particularly, he emphasises two factors: the split of the “Italian box” space and its consequences for actors, receivers and technology.

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Published on 30/09/02
Accepted on 30/09/02
Submitted on 30/09/02

Volume 17, Issue 2, 2002
DOI: 10.7203/caplletra.33.4926
Licence: CC BY-NC-SA license

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