The article raises the question of the relationship between Martorell' s works and Corella's as well as their creative technique, by using classical rhetoric and the influence of Boccaccio's Elegia di Madonna Fiammetta, a source irrefutably identified in both authors.

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Published on 31/03/98
Accepted on 31/03/98
Submitted on 31/03/98

Volume 13, Issue 1, 1998
DOI: 10.7203/caplletra.24.7302
Licence: CC BY-NC-SA license

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